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Crossfire (2025) Display type for Plaster magazine

Why are art galleries so weird about prices? (2025) Collage illustrations for an article in Plaster

Super-human humanities illustrations (2023) Illustrations for an article by Charles M Stang on religious education, transcendence, transformation and geometry. Animation used to generate print illustrations. Made at TANK magazine while on the design team with Michael Wallace, Otomi Larcher and Weronika Uyar, art directed by Sohrab Golsorkhi-Ainslie

Manifesto (2023) animation for online fashion editorial at TANK


Give Me A Break (2025) podcast logo design

Give Me A Break (2025) podcast covers

Give Me A Break (2025) quotes from the podcast animated

Give Me A Break (2025) podcast identity design across socials


Plaster magazine (2024) a box of ephemera, made as a special limited edition issue, to coincide with the opening of Sir John Akomfrah’s pavilion at the Venice Biennale. Designed with creative direction from Finn Constantine and David Spence.

Talking To Writers (2021) A collection of interviews designed in a system of 3 layouts, held together with an elastic band. The colours of the booklets are taken from linguistics diagrams.


Improvements (2022) A more cohesive digital version of a wobbly font found in a 1951 wood type catalogue. The type specimen uses phrases from self improvement websites.

Art forgers and experts reveal the true story of fake art (2024) illustrations for Plaster



The flaccid afterlife of the art NFT (2025) illustration for Plaster






Music video for Orange by Bobby Kakouris (2020) See full animation here.





So-Called Ephemera (2021) A bootleg design of an essay by Stuart Bertolotti-Bailey, originally published by the Serving Library. The pages are bound with a single staple in the middle of the spine.











Corner of my eye (2025) Exhibition identity