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<channel>
	<title>Emma Ralph</title>
	<link>https://emma-ralph.com</link>
	<description>Emma Ralph</description>
	<pubDate>Sun, 16 Jun 2024 14:11:17 +0000</pubDate>
	<generator>https://emma-ralph.com</generator>
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		<title>Marquee Top</title>
				
		<link>https://emma-ralph.com/Marquee-Top</link>

		<pubDate>Sun, 16 Jun 2024 14:11:15 +0000</pubDate>

		<dc:creator>Emma Ralph</dc:creator>

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		<description>&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧 📧 📧 📧 📧 📧 📧 📧 📧 📧 📧 📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧 📧 📧 📧 📧 📧 📧 📧 📧 📧</description>
		
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		<title>Header</title>
				
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		<pubDate>Sun, 16 Jun 2024 14:11:15 +0000</pubDate>

		<dc:creator>Emma Ralph</dc:creator>

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	Emma RalphLondon / Inverness

ralph-emma@outlook.com@alsoemmaralph


	Graphic Designer at Plaster magazine
Previously: Graphic Designer at TANK magazine, Junior Design Intern at A Practice For Everyday Life, Intern at Fraser Muggeridge studio
	Communication Design BA(Hons)Glasgow School of Art

	Full portfolio available on request
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		<title>Main Slideshow</title>
				
		<link>https://emma-ralph.com/Main-Slideshow-1</link>

		<pubDate>Sun, 16 Jun 2024 14:11:15 +0000</pubDate>

		<dc:creator>Emma Ralph</dc:creator>

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&#60;img width="1645" height="285" width_o="1645" height_o="285" data-src="https://freight.cargo.site/t/original/i/7ff16f4b92cc7ddadec025b92239cb66a4125c0cc09c82fba5c7b039d506309e/Newsprint.png" data-mid="236686469" border="0" alt=" Display type (2025) Designed for Plaster magazine" data-caption="&#38;lt;b&#38;gt; Display type (2025)&#38;lt;/b&#38;gt; Designed for Plaster magazine" src="https://freight.cargo.site/w/1000/i/7ff16f4b92cc7ddadec025b92239cb66a4125c0cc09c82fba5c7b039d506309e/Newsprint.png" /&#62;

&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7631b11e642078a86a93accaf17a3504917582bdda59d79a276d56b30fc0ea0a/Rook216.JPG" data-mid="236686172" border="0" alt="Why are art galleries so weird about prices? (2025)  Collage illustrations for an article in Plaster" data-caption="&#38;lt;b&#38;gt;Why are art galleries so weird about prices? (2025) &#38;lt;/b&#38;gt; Collage illustrations for an article in Plaster" src="https://freight.cargo.site/w/1000/i/7631b11e642078a86a93accaf17a3504917582bdda59d79a276d56b30fc0ea0a/Rook216.JPG" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f1a4b1820be8ff23ba8c18025328f269ea71a15ab9910dc849bba43cd806b485/Rook220.JPG" data-mid="236686173" border="0"  src="https://freight.cargo.site/w/1000/i/f1a4b1820be8ff23ba8c18025328f269ea71a15ab9910dc849bba43cd806b485/Rook220.JPG" /&#62;
&#60;img width="4000" height="2666" width_o="4000" height_o="2666" data-src="https://freight.cargo.site/t/original/i/e13a63b94f556f0fe2daefd648e905d5c9e7bb1d1966fb4610d375160e2fa377/Rook219.JPG" data-mid="236686174" border="0"  src="https://freight.cargo.site/w/1000/i/e13a63b94f556f0fe2daefd648e905d5c9e7bb1d1966fb4610d375160e2fa377/Rook219.JPG" /&#62;




&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/6ad310ca0b90bb74393e2e58089fb2645f3058f4b07bf5b1179a59a3541484a0/DoubleDenim.gif" data-mid="213006901" border="0" alt="Manifesto (2023) Animation for online fashion editorial at TANK magazine, while on the design team with Michael Wallace, Otomi Larcher and Weronika Uyar, art directed by Sohrab Golsorkhi-Ainslie" data-caption="&#38;lt;b&#38;gt;Manifesto (2023) &#38;lt;/b&#38;gt;Animation for online fashion editorial at TANK magazine, while on the design team with Michael Wallace, Otomi Larcher and Weronika Uyar, art directed by Sohrab Golsorkhi-Ainslie" src="https://freight.cargo.site/w/600/i/6ad310ca0b90bb74393e2e58089fb2645f3058f4b07bf5b1179a59a3541484a0/DoubleDenim.gif" /&#62;
&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/2ddcf1d0457acd3ca7e12dd91d0379f8dac59dd8a0e9d345dbfeda8c4b2d0ca3/SeaUrchins2.gif" data-mid="213006936" border="0"  src="https://freight.cargo.site/w/600/i/2ddcf1d0457acd3ca7e12dd91d0379f8dac59dd8a0e9d345dbfeda8c4b2d0ca3/SeaUrchins2.gif" /&#62;

&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c0cc3d853129f51b5cb72140eda0546a4007e14ba33c850a7420d69cb422cd48/3-4-Text-And-Image-0-00-02-05.jpg" data-mid="238809577" border="0" alt=" Tomorrow Was (2025)  Poster for an exhibition by Hong Kong AR fashion initiative Fabrix, hosted at the Palais de Tokyo, Paris. Art directed by Gary Card" data-caption="&#38;lt;b&#38;gt; Tomorrow Was (2025) &#38;lt;/b&#38;gt; Poster for an exhibition by Hong Kong AR fashion initiative Fabrix, hosted at the Palais de Tokyo, Paris. Art directed by Gary Card" src="https://freight.cargo.site/w/1000/i/c0cc3d853129f51b5cb72140eda0546a4007e14ba33c850a7420d69cb422cd48/3-4-Text-And-Image-0-00-02-05.jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/28d83804128ee52c3cd3be29e001482db9b58e4cc3fac0cc4948aa28f854fe79/3-4-Text-And-Image-0-00-04-22.jpg" data-mid="238809578" border="0"  src="https://freight.cargo.site/w/1000/i/28d83804128ee52c3cd3be29e001482db9b58e4cc3fac0cc4948aa28f854fe79/3-4-Text-And-Image-0-00-04-22.jpg" /&#62;


&#60;img width="2000" height="1304" width_o="2000" height_o="1304" data-src="https://freight.cargo.site/t/original/i/5aacbc3c300fb92f24ed3ef026cef3a6768305affb1248f6a1385f28237fd321/168-173_SuperHumanHumanities-2-web.jpg" data-mid="216993878" border="0" alt="Super-human humanities illustrations (2023) Illustrations for TANK, for an article by Charles M Stang on religious education, transcendence, transformation and geometry" data-caption="&#38;lt;b&#38;gt;Super-human humanities illustrations (2023)&#38;lt;/b&#38;gt; Illustrations for TANK, for an article by Charles M Stang on religious education, transcendence, transformation and geometry" src="https://freight.cargo.site/w/1000/i/5aacbc3c300fb92f24ed3ef026cef3a6768305affb1248f6a1385f28237fd321/168-173_SuperHumanHumanities-2-web.jpg" /&#62;
&#60;img width="600" height="391" width_o="600" height_o="391" data-src="https://freight.cargo.site/t/original/i/708e0ca6b9a2c5c0182602ae827b77846f00116005b2756e81e841259454c418/168-173_SuperHumanHumanities-2.gif" data-mid="216994516" border="0" alt="Animation used to generate print illustrations" data-caption="Animation used to generate print illustrations" src="https://freight.cargo.site/w/600/i/708e0ca6b9a2c5c0182602ae827b77846f00116005b2756e81e841259454c418/168-173_SuperHumanHumanities-2.gif" /&#62;
&#60;img width="5433" height="3543" width_o="5433" height_o="3543" data-src="https://freight.cargo.site/t/original/i/dd42ba32281a516d1b749ac2781eb43b30ac49328eb45e9ee94cbaed1dc2649b/168-173_SuperHumanHumanities-3-web.jpg" data-mid="216993904" border="0"  src="https://freight.cargo.site/w/1000/i/dd42ba32281a516d1b749ac2781eb43b30ac49328eb45e9ee94cbaed1dc2649b/168-173_SuperHumanHumanities-3-web.jpg" /&#62;


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/9abd62a092f04930e4d67548744cdeb1b4deeeb5feb3b4968a84ddea07b000a2/Issue-9--John-Akomfrah--Plaster-Magazine--2024.-Photos-courtesy-Shen-Tan--4.jpg" data-mid="216996702" border="0" alt="Plaster magazine (2024)  A box of ephemera, made as a special limited edition issue, to coincide with the opening of Sir John Akomfrah&#38;rsquo;s pavilion at the Venice Biennale. Designed with creative direction from Finn Constantine and David Spence." data-caption="&#38;lt;b&#38;gt;Plaster magazine (2024) &#38;lt;/b&#38;gt; A box of ephemera, made as a special limited edition issue, to coincide with the opening of Sir John Akomfrah’s pavilion at the Venice Biennale. Designed with creative direction from Finn Constantine and David Spence." src="https://freight.cargo.site/w/1000/i/9abd62a092f04930e4d67548744cdeb1b4deeeb5feb3b4968a84ddea07b000a2/Issue-9--John-Akomfrah--Plaster-Magazine--2024.-Photos-courtesy-Shen-Tan--4.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e198ad07fc7c789429b56e762a49ffc0e6bfb98976ea3c89dd6b171ae4fd2305/JA-web2.jpg" data-mid="222153332" border="0"  src="https://freight.cargo.site/w/1000/i/e198ad07fc7c789429b56e762a49ffc0e6bfb98976ea3c89dd6b171ae4fd2305/JA-web2.jpg" /&#62;


&#60;img width="800" height="732" width_o="800" height_o="732" data-src="https://freight.cargo.site/t/original/i/b07093d5f3229b1c92c25fa2016eb31c8a04194008cfba7462b1e42324bae9d6/talkingtowriters_cover.png" data-mid="213003528" border="0" alt="Talking To Writers (2021) A collection of interviews designed in a system of 3 layouts, held together with an elastic band. The colours of the booklets are taken from linguistics diagrams." data-caption="&#38;lt;b&#38;gt;Talking To Writers (2021)&#38;lt;/b&#38;gt; A collection of interviews designed in a system of 3 layouts, held together with an elastic band. The colours of the booklets are taken from linguistics diagrams." src="https://freight.cargo.site/w/800/i/b07093d5f3229b1c92c25fa2016eb31c8a04194008cfba7462b1e42324bae9d6/talkingtowriters_cover.png" /&#62;
&#60;img width="1200" height="1615" width_o="1200" height_o="1615" data-src="https://freight.cargo.site/t/original/i/1c6fe047b004208e1d628b5fe3b748e0147290bd9a45c6c3396e8039ee080766/talkingtowriters.gif" data-mid="213003532" border="0"  src="https://freight.cargo.site/w/1000/i/1c6fe047b004208e1d628b5fe3b748e0147290bd9a45c6c3396e8039ee080766/talkingtowriters.gif" /&#62;


&#60;img width="4000" height="1958" width_o="4000" height_o="1958" data-src="https://freight.cargo.site/t/original/i/a8f1a98dbe5f661c8f69425e10507d0c3646d38528f0768bd130aa6734ab8dcd/improvements2.png" data-mid="213003533" border="0" alt="Improvements (2022)  A more cohesive digital version of a wobbly font found in a 1951 wood type catalogue. The type specimen uses phrases from self improvement websites. " data-caption="&#38;lt;b&#38;gt;Improvements (2022) &#38;lt;/b&#38;gt; A more cohesive digital version of a wobbly font found in a 1951 wood type catalogue. The type specimen uses phrases from self improvement websites. " src="https://freight.cargo.site/w/1000/i/a8f1a98dbe5f661c8f69425e10507d0c3646d38528f0768bd130aa6734ab8dcd/improvements2.png" /&#62;

	
&#60;img width="2160" height="2700" width_o="2160" height_o="2700" data-src="https://freight.cargo.site/t/original/i/e5b12773c09142e83762edb77271b2b07e40debd3811d81b8631c56a48ae69a0/corner-March62.jpg" data-mid="236689431" border="0" alt="Corner of my eye (2025)  Exhibition identity" data-caption="&#38;lt;b&#38;gt;Corner of my eye (2025) &#38;lt;/b&#38;gt; Exhibition identity" src="https://freight.cargo.site/w/1000/i/e5b12773c09142e83762edb77271b2b07e40debd3811d81b8631c56a48ae69a0/corner-March62.jpg" /&#62;
&#60;img width="2160" height="2700" width_o="2160" height_o="2700" data-src="https://freight.cargo.site/t/original/i/20c2c25cbc50630e5776e6f9e66957a15a57636f241b3d825b4a4de2cfab33fa/corner-March63.jpg" data-mid="236689432" border="0"  src="https://freight.cargo.site/w/1000/i/20c2c25cbc50630e5776e6f9e66957a15a57636f241b3d825b4a4de2cfab33fa/corner-March63.jpg" /&#62;


&#60;img width="1299" height="1063" width_o="1299" height_o="1063" data-src="https://freight.cargo.site/t/original/i/88b7caee3b464b5b38acec3d025c19c5f459e737ee9c845c905dd73b5355a693/ephemera3.gif" data-mid="213003537" border="0" alt="So-Called Ephemera (2021) A bootleg design of an essay by Stuart Bertolotti-Bailey, originally published by the Serving Library. " data-caption="&#38;lt;b&#38;gt;So-Called Ephemera (2021)&#38;lt;/b&#38;gt; A bootleg design of an essay by Stuart Bertolotti-Bailey, originally published by the Serving Library. " src="https://freight.cargo.site/w/1000/i/88b7caee3b464b5b38acec3d025c19c5f459e737ee9c845c905dd73b5355a693/ephemera3.gif" /&#62;
&#60;img width="1500" height="1271" width_o="1500" height_o="1271" data-src="https://freight.cargo.site/t/original/i/f706b97498c93e22b6ce670b469b3979bf3d1a89febd4d2f74b8c3afb6c2527f/ephemera2.png" data-mid="213003542" border="0" alt="The pages are bound with a single staple in the middle of the spine." data-caption="The pages are bound with a single staple in the middle of the spine." src="https://freight.cargo.site/w/1000/i/f706b97498c93e22b6ce670b469b3979bf3d1a89febd4d2f74b8c3afb6c2527f/ephemera2.png" /&#62;


&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/a0e603590a1d20d969ec1f5f029f084f1520caab3aa3d8fc78d72b3da5fa41ea/orange2.gif" data-mid="217247949" border="0" alt=" Music video for Orange by Bobby Kakouris (2020)  See full animation here." data-caption="&#38;lt;b&#38;gt; Music video for Orange by Bobby Kakouris (2020)&#38;lt;/b&#38;gt;  See full animation &#38;lt;a href=&#38;quot;https://vimeo.com/400979276&#38;quot;&#38;gt;here&#38;lt;/a&#38;gt;." src="https://freight.cargo.site/w/600/i/a0e603590a1d20d969ec1f5f029f084f1520caab3aa3d8fc78d72b3da5fa41ea/orange2.gif" /&#62;

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		<title>Marquee Top copy</title>
				
		<link>https://emma-ralph.com/Marquee-Top-copy</link>

		<pubDate>Sun, 16 Jun 2024 14:11:17 +0000</pubDate>

		<dc:creator>Emma Ralph</dc:creator>

		<guid isPermaLink="true">https://emma-ralph.com/Marquee-Top-copy</guid>

		<description>&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧 📧 📧 📧 📧 📧 📧 📧 📧 📧 📧 📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧&#38;nbsp;📧 📧 📧 📧 📧 📧 📧 📧 📧 📧</description>
		
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