https://emma-ralph.com/Marquee-Top-copy 2026-04-05T09:19:46+00:00 always 0.5 https://emma-ralph.com/Main-Slideshow-1 2026-01-12T23:15:41+00:00 always 0.5 https://freight.cargo.site/t/original/i/b07093d5f3229b1c92c25fa2016eb31c8a04194008cfba7462b1e42324bae9d6/talkingtowriters_cover.png Talking To Writers (2021) A collection of interviews designed in a system of 3 layouts, held together with an elastic band. The colours of the booklets are taken from linguistics diagrams. https://freight.cargo.site/t/original/i/1c6fe047b004208e1d628b5fe3b748e0147290bd9a45c6c3396e8039ee080766/talkingtowriters.gif https://freight.cargo.site/t/original/i/a8f1a98dbe5f661c8f69425e10507d0c3646d38528f0768bd130aa6734ab8dcd/improvements2.png Improvements (2022) A more cohesive digital version of a wobbly font found in a 1951 wood type catalogue. The type specimen uses phrases from self improvement websites. https://freight.cargo.site/t/original/i/88b7caee3b464b5b38acec3d025c19c5f459e737ee9c845c905dd73b5355a693/ephemera3.gif So-Called Ephemera (2021) A bootleg design of an essay by Stuart Bertolotti-Bailey, originally published by the Serving Library. https://freight.cargo.site/t/original/i/f706b97498c93e22b6ce670b469b3979bf3d1a89febd4d2f74b8c3afb6c2527f/ephemera2.png The pages are bound with a single staple in the middle of the spine. https://freight.cargo.site/t/original/i/6ad310ca0b90bb74393e2e58089fb2645f3058f4b07bf5b1179a59a3541484a0/DoubleDenim.gif Manifesto (2023) Animation for online fashion editorial at TANK magazine, while on the design team with Michael Wallace, Otomi Larcher and Weronika Uyar, art directed by Sohrab Golsorkhi-Ainslie https://freight.cargo.site/t/original/i/2ddcf1d0457acd3ca7e12dd91d0379f8dac59dd8a0e9d345dbfeda8c4b2d0ca3/SeaUrchins2.gif https://freight.cargo.site/t/original/i/5aacbc3c300fb92f24ed3ef026cef3a6768305affb1248f6a1385f28237fd321/168-173_SuperHumanHumanities-2-web.jpg Super-human humanities illustrations (2023) Illustrations for TANK, for an article by Charles M Stang on religious education, transcendence, transformation and geometry https://freight.cargo.site/t/original/i/dd42ba32281a516d1b749ac2781eb43b30ac49328eb45e9ee94cbaed1dc2649b/168-173_SuperHumanHumanities-3-web.jpg https://freight.cargo.site/t/original/i/708e0ca6b9a2c5c0182602ae827b77846f00116005b2756e81e841259454c418/168-173_SuperHumanHumanities-2.gif Animation used to generate print illustrations https://freight.cargo.site/t/original/i/9abd62a092f04930e4d67548744cdeb1b4deeeb5feb3b4968a84ddea07b000a2/Issue-9--John-Akomfrah--Plaster-Magazine--2024.-Photos-courtesy-Shen-Tan--4.jpg Plaster magazine (2024) A box of ephemera, made as a special limited edition issue, to coincide with the opening of Sir John Akomfrah’s pavilion at the Venice Biennale. Designed with creative direction from Finn Constantine and David Spence. https://freight.cargo.site/t/original/i/a0e603590a1d20d969ec1f5f029f084f1520caab3aa3d8fc78d72b3da5fa41ea/orange2.gif Music video for Orange by Bobby Kakouris (2020) See full animation here. https://freight.cargo.site/t/original/i/e198ad07fc7c789429b56e762a49ffc0e6bfb98976ea3c89dd6b171ae4fd2305/JA-web2.jpg https://freight.cargo.site/t/original/i/7631b11e642078a86a93accaf17a3504917582bdda59d79a276d56b30fc0ea0a/Rook216.JPG Why are art galleries so weird about prices? (2025) Collage illustrations for an article in Plaster https://freight.cargo.site/t/original/i/f1a4b1820be8ff23ba8c18025328f269ea71a15ab9910dc849bba43cd806b485/Rook220.JPG https://freight.cargo.site/t/original/i/e13a63b94f556f0fe2daefd648e905d5c9e7bb1d1966fb4610d375160e2fa377/Rook219.JPG https://freight.cargo.site/t/original/i/7ff16f4b92cc7ddadec025b92239cb66a4125c0cc09c82fba5c7b039d506309e/Newsprint.png Display type (2025) Designed for Plaster magazine https://freight.cargo.site/t/original/i/e5b12773c09142e83762edb77271b2b07e40debd3811d81b8631c56a48ae69a0/corner-March62.jpg Corner of my eye (2025) Exhibition identity https://freight.cargo.site/t/original/i/20c2c25cbc50630e5776e6f9e66957a15a57636f241b3d825b4a4de2cfab33fa/corner-March63.jpg https://freight.cargo.site/t/original/i/c0cc3d853129f51b5cb72140eda0546a4007e14ba33c850a7420d69cb422cd48/3-4-Text-And-Image-0-00-02-05.jpg Tomorrow Was (2025) Poster for an exhibition by Hong Kong AR fashion initiative Fabrix, hosted at the Palais de Tokyo, Paris. Art directed by Gary Card https://freight.cargo.site/t/original/i/28d83804128ee52c3cd3be29e001482db9b58e4cc3fac0cc4948aa28f854fe79/3-4-Text-And-Image-0-00-04-22.jpg https://emma-ralph.com/Header 2025-08-10T15:48:50+00:00 always 0.5 https://emma-ralph.com/Marquee-Top 2025-08-10T14:53:28+00:00 always 0.5